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For as long as she can remember, Ella Jane has been writing in the
margins. Growing up, annotation was a way of understanding and
processing the culture that surrounded her, a means of collecting
words and stories that would become foundational to the songs she
would write. Conversely, songwriting became a way of marking up the
experiences in her own life, a process she'd often document and share
in real-time with an ever-expanding online community. With an excess
of time at her disposal during the pandemic, she spent much of the
year fine-tuning a batch of songs that she had brought with her from
high school, which would eventually become her debut project, THIS
IS NOT WHAT IT LOOKS LIKE! Spurred by the momentum, she
dropped out of college and moved to Brooklyn to give the music all of
her time. The songs she wrote during this period radiate with the
coming-of-age urgency of that moment, and all the identity-affirming
head rushes that came with it. Teaming up with producer Mike Irish,
they aimed to keep the pop sensibilities of her earlier work as well as
steer them toward a grittier place more akin to the sound of her alt-
rock heroes. They landed at Marginalia; a concise offering of her most
propulsive and assertive material to date that establishes Ella Jane as a
formidable storyteller all while nodding to the process that got her
there